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Re:Understanding Free Cultural Works by Noos on Sunday April 19, 2020 @11:45AM (#22916624)
this needs to honestly be discussed more. Even though the article is more about discussion restrictions on the concept, the whole point of non-free culture should be to ensure the artist can realize monetary gains from his work in order to reward the time spent. Also to enable the artist to have some control over the distribution and direction of his work, as well as incentivize new and original work.

CC doesn't do anything for the artist.

it's great for distributors, who can aggregate and monetize free content, and remixers, who have a base of ready-made content to use as a basis for their own works. And of course the audience. But i don't really see the point of it as an artist.

Re:Understanding Free Cultural Works by skyfaller on Sunday April 19, 2020 @12:38PM (#22916978)
Saying that "providing works that other people are free to build on doesn't do anything for the artist" is rather short-sighted.

Imagine someone living on a river saying, "Keeping the river water clean doesn't do anything for me!" OK, maybe your pollution doesn't affect you, it only affects people downstream of you. But if the people upstream pollute the river, you'll wish they hadn't.

It's also untrue that artists are distinct from remixers. Is "West Side Story" just a remix of Shakespeare's "Romeo and Juliet"? I think often of The Time John Fogerty Was Sued for Ripping Off John Fogerty: https://www.mentalfloss.com/article/27501/time-john-fogerty-... Fogerty was just trying to write songs, but unsurprisingly his new songs sounded similar to his old songs, which had ended up under someone else's control. Was he "remixing" himself? Making art that is entirely new and does not relate to or reflect on any past art is almost impossible.

As Lessig put it:

- Creativity always builds on the past

- The past tries to control the creativity that builds upon it

- Free societies enable creativity by limiting this power of the past

- Ours is less and less a free society

Re:Understanding Free Cultural Works by burrows on Sunday April 19, 2020 @02:54PM (#22917943)
> Free societies enable creativity by limiting this power of the past

How does the "limiting" part of this work?

Re:Understanding Free Cultural Works by skyfaller on Wednesday April 22, 2020 @02:42AM (#22942905)
Two obvious examples of limits on copyright are (1) copyright terms not lasting forever, copyrighted works should eventually enter the public domain, and (2) some uses of copyrighted work not requiring permission from the copyright holder, "fair use".
Re:Understanding Free Cultural Works by pabs3 on Sunday April 19, 2020 @12:14PM (#22916793)
It has been said (in another cartoon) that the greatest threat to artists isn't piracy, its obscurity:

https://mimiandeunice.com/2010/11/17/obscurity/

Re:Understanding Free Cultural Works by whiddershins on Sunday April 19, 2020 @12:26PM (#22916892)
Oddly they go together hand in hand.