Re:Programmers generate every possible melody in MIDI to pre...
by C1sc0cat on Friday February 28, 2020 @05:52AM
(#22441924)
Presumably musicians/composers using purely electronic tools such as abletron live have no problem asserting copyright already.
Re:Programmers generate every possible melody in MIDI to pre...
by willvarfar on Friday February 28, 2020 @06:07AM
(#22441970)
The musican has to cut a CD or something phyiscal.
https://www.tunecore.com/guides/copyrights-101 the first paragraph is:
> For a work to be “copyrightable,” it must be original and fixed in tangible form, such as a sound recording recorded (affixed to) on a CD or a literary work printed (affixed to) on paper.
Re:Programmers generate every possible melody in MIDI to pre...
by sullyj3 on Friday February 28, 2020 @06:38AM
(#22442094)
is a hard drive not a tangible form? Come to think of it, so is a brain, and everything else capable of storing information. That language is atrocious.
Re:Programmers generate every possible melody in MIDI to pre...
by jiofih on Sunday March 01, 2020 @06:20AM
(#22456389)
It’s about “permanence”, not being able to copyright a live performance that wasn’t recorded for example. It just means you need to be able to distribute / replay the recording, and that means using one of the current common audio technologies.
“But are the tunes really affixed to the medium?”
“Yes, this hard drive in my hand literally contains a bunch of MP3 files” is a lot stronger than: “Yes, in a way, because this tune-generating script technically constitutes a self-extracting archive, your honour.”