They cartoons and shows my oldest 18 year old watched are totally differnt from the ones my 8 year and my 4 year old watch. They churn through things quickly and market things very slickly. For example, they produce something for 14 year olds, that most parents think is ok for 12-14 year old kids, but most of those kids aren't really that interested in. Then they drop the marketing into their 8-10 year old programs and boom, it's a hit for them.
These companies, especially Disney, are very insidious and clearly manipulating young minds. We should be disturbed, but I find very little buy in from other adults.
I don't understand why they were allowed to buy 20th Century Fox.
https://www.titlemax.com/discovery-center/money-finance/comp...
Disney
Comcast
AT&T
Amazon
Apple
Netflix
CBS
Sony
Fox Corp
It’s a get big or get crushed world right now. Of the latter 4, I wonder who Microsoft/Google/Verizon/Facebook will buy.
As far as getting big or getting crushed - both Blumhouse and Tyler Perry Studios make movies that get wide releases with budgets between $5 and $10 million.
Apple I put on there because they can afford to burn so many dollars, it puts them in league with Comcast and ATT and Disney. The other media companies don't have a rent collecting cash cow to lean on.
There are plenty of streaming services looking for exclusive content. Barring that, you can sell your movie yourself over the internet or through any of the video on demand services.
You can even probably get Redbox to stock it.
Speaking of Tyler Perry, he started “distributing his content” decades ago by doing stage plays.
People complaining about big media keeping smaller players out is about like people complaining about not being profitable because of a dependence on Amazon Retail or Google ads. If your entire business model is based on being a sharecropper for big media/tech, you’re statistically going to be disappointed.
There are also small religious studios who are able to find an audience.
They are apparently also licensing the Nintendo reality-distortion field technology.
That's a really good summation of my views on Disney. It's obvious they know how to build consistently polished stories that will be consistently enjoyable to a wide audience. I respect that.
But it's not clear to me that's a goal worth pursuing, or that the artistic value of their movies has gone up because of that. It's good to have some media that's safe and predictable and that is primarily motivated by market trends. But when that's all a company is making, then behind that nice facade lies a deeply cynical way of looking at the world, where creative choices are calculated for broad appeal rather than for their inherent value.
I'm not going to say that's all Disney makes. Just that the percentage of films Disney is making that fall into that category is growing at a rapid clip.
It's a jaded view in the sense that I'm cynical about Disney, but it's really not me trying to crap on popular things. There are a lot of popular things that are really, really good. But I know when a movie actually feels special and honest to me, when I feel like the author genuinely had a good reason to make it, and made it because they loved it. And Disney movies don't feel that way to me. They're glossy, and pretty, and impressive, and they know the right things to say, but they're made of plastic instead of flesh.