Here's the playlist from our latest adventure https://open.spotify.com/playlist/76BJ3kWrBGo0b9p9M2uMob
My Last.fm is here https://www.last.fm/user/apecat
I think a lot of people are more open to this kind of thing than they think. Purists can complain all day long about Bluetooth audio (I say ABX blind test AAC/AptX transcoding or GTFO), but I'm blown away by the potential brought along with the popularity of premium wireless closed-back cans with active noise cancellation.
These are oftentimes bought for reducing or avoiding stress, but they have great potential to counteract the awful trend of people not even having typical 90s micro stereo system at home, but using exclusively laptop or TV speakers, or mono BT speakers.
So, I'm not grumpy: I like a lot of trends in contemporary personal music listening, mainly streaming for decent quality sources (I equally devour albums, curated playlist and algorithmic recommendations). I've had Spotify Premium since March 15 2009, and it has done so much for my appreciation of music.
I also entertain friends with my 'Mistape', a six-track, made-to-crossfade playlist sans genre BS, which I update Fridays https://open.spotify.com/playlist/6LpZZfvO70x1YkNkRGToMV
With this development in mind, I'm going to keep this playlist current over time with our new adventures in hi-fi. I'll move the previous content to separate playlists for archiving.
Bummer that Spotify hid playlist subscribers a while back so I can't see who all of you people are!
At this level of quality of speaker the accoustic properties of the room (and the location of the speakers) will have a bigger impact on the quality of the sound than spending more money on kit.
I have the M040 which are a newer and more environmentally friendly model aimed at bedroom producers (i believe). There is also a cheaper M030 model.
The M series offer only basic room response controls (e.g. if the speaker is located near a wall or in a corner). The parent alludes to much fancier calibration achieved with the use of a mic and DSP's in the speakers.
The other thing worth noting is that genelecs are very neutral sounding speakers and also (as they are designed as nearfield studio monitors) have a relatively small sweet spot. So maybe not the best choice to fill a big room at a party, but I love them very much :)
You probably don't want to buy Genelec "just because musician X swears by them or Steve Jobs had a pair at his desk". See this comment: https://news.ycombinator.com/item?id=20587970
The cheap Polks I have in my living room make a whole lot more sense for that use case than any smaller Genelecs I could've gotten at trice the price. One of the few residential use cases where Genelecs make sense is as actual 'computer speakers' where you get to enjoy the intensity of that near-field sweet spot.
Even the G Ones plus the F One sub are terrific for this, but at a price where you could get a pretty nice basic home theater.
The pair of Genelec 8330A we use at the cottage are just big enough to be enjoyable for our sessions of couchlock debauchery, where we also turn up the volume, and take breaks in order to do so. And the room is super good sounding, too.
My musician friends are usually horrified when I say we listen to Genelecs (or any near field monitors) for fun. This kind of speaker are precision tools, made to be used in specific settings, to painstakingly obsess over adjustments in audio mixes.
Near field monitors are unforgiving and harsh sounding if set up wrong. And they will absolutely not flatter your source material. You usually need a companion subwoofer if you get near field monitors of any size, because they're deliberately made to give a flat frequency response, not to sound beefy, or give a room-filling sound at lower volumes.
A pair of Devialet Speakers (about 1.5K USD each) which are about 25lbs (11kgs) each, is a surprisingly easy and satisfying way to achieve this. The sound is rich, satisfying and similar to what I normally associate a 15-20K USD setup with.
Someone mentioned Genelec, wanted to add an another option.
I really hope no-one runs out and buys Genelecs for living room use based on this thread, without understanding what they're getting themselves into.
They have a similar setup at Bar Shiru in downtown Oakland but its too noisy to appreciate the setup they have.
I'd love to find a way to have something like a listening session among like-minded people without geographic limitations since it's hard to find other nearby people, let alone actual friends, interested in the same deep and niche genres - a barrier that is easily overcome online where like-minded enthusiasts are listening to the same hidden gems, enjoy the selection of well-regarded curators and browse the same hard to find records on Discogs - unfortunately all of that happens rather isolated in their home. And while I can (and do) broadcast my taste and selection via Soundcloud, Mixcloud or any number of channels and services, I'd love to see something that allows music lovers to come together and share/stream their picks, taking turns, discussing the records in a live-setting. A lossless, audio-streaming chat room if you will.
I haven’t drank or done drugs in a long time, listening to and making music is my drug. That said, I did do a couple very small micro doses while in Tokyo with the intention of walking through from one listening bar to another. That was quite a trip.
Thanks for posting your playlist, long time DJ here and we have similar taste. ;)
https://www.sweetwater.com/store/detail/8341SAM--genelec-834...
That said, they're great speakers. We use these for our 7+2 Atmos system for our home speaker.
The Genelec 8330A, which has programmable DSP, can be found at under EUR 800/piece these days from Thomann, a major German music online story that ships across Europe. I think my friend paid like a little over EUR 2k in total for his pair a couple of years ago. https://www.thomann.de/gb/genelec_8330_apm.htm
Here in Finland, everyone loves Genelec to the point of misplaced national pride. Non-audiophiles sometimes buy them as design pieces for living rooms. Of course, they're nice looking active speakers, and everyone hates receiver/amps and the crafty bullshit that goes into passive speaker wiring, so they solve a problem.
The smallest Genelecs are the G Ones, they cost like eur 700/pair. They're light, durable and pretty. They're still near field monitors, and have a lot of that mid range niceness I love in Genelecs and are super sweet if you listen to music at your desk, especially if you also get the F One sub. Steve Jobs would likely approve, as he did with his older Genelecs https://www.reddit.com/r/audiophile/comments/2wj9ly/genelec_...
But obviously the G Ones aren't ideal in any but the smallest living rooms, or with ceiling mountes in restaurants, because they're not made for that. They end up sound sound anemic, as you'd expect.
I'm at work but I fired up Skitch and made this ridiculous little drawing, which should explain the situation somewhat. http://www.nybergh.net/stuff/linked/2019/08/hifi-cottage.png
Basically, we're using the corner of the L-shaped kitchen+living room space to our advantage by moving the couch a bit and pointing the speakers there. The sub sounds super clean anywhere near the convex corner with the fireplace.
I find that the biggest challenge is the stereo sweet spot, which always is going to be annoyingly garbage and narrow with two-channel stereo. The subtle room reflections help a bit, and we rotate seating to make it a bit more fair.
I read renowned Harman researcher Floyd E. Toole's 'Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms' and he seems to agree that there's not a whole lot that can be done about two-channel stereo. In fact, Toole rants in favor of three front channels quite a lot, and well as mocking audiophiles who think their rooms are going to be likely to not need basic tone controls on reproduction gear. https://www.amazon.com/Sound-Reproduction-Psychoacoustics-Lo...
But back to business, with this nice house we don't really need to do much. The log walls absorb a lot, while leaving a nice little lively touch that makes it not feel like a padded room (one of my friends had a padded room before for music, and I've decided I definitely prefer a room that feels a little bit alive).
My friend has this DSpeaker Anti-Mode 2.0 for room correction http://www.dspeaker.com/en/products/20-dual-core.shtml
The same friend has two Genelec 8330A active speakers that could do room correction on their own https://www.genelec.com/studio-monitors/sam-studio-monitors/...
Then we have a previous model of the Genelec F One form factor subwoofer, I can't remember the model number, which is alphabet soup, even though it's connected to my system at home. https://www.genelec.com/home-speakers/f-series-active-subwoo...
The Genelecs are both compact, durable and easy to transport, and we have telecope model stands for them. They have a super nice mid range for guitar and the human voice, and they're also quite nice to look at.
When we set up the space, we basically let the DSpeaker box do its frequency swipes for ten minutes or so. We'd be fine without it even, but it just clears up the bass so nicely.
I'm very skeptical about treating acoustic issues using eq.
Since you're into this kind of thing, I will share an experince I had. For a couple of years, I used to do various kinds of audio production work. One thing that I was always curious about was the way acoustics work in the room.
So I started getting a signal generator and just sending that through the system. I'd send out an 80hz sine wave, and walk the room, and then 90hz, and same. If you do this, you'll get a lot of interesting results as you hear the room nodes, both additive and subtractive.
It's even more interesting when you're in a very reflective and "regularly" shaped room. But you will still find nodes (likely) in any space.
It's a fun experiment, IMO, because you really get an idea of how big these are.
You also get a much better idea of how hard a problem it is to solve, because they aren't all at the same places in a room for different frequencies. So room correction eq has a lot to do with where your measurement mic is placed, but even 1-2M away from that mic can have very different results.
The most interesting thing to me was when I did this process in a specific room (a studio control room) and started to try to treat specific modalities that seemed worse than others. As I went through this process and added physical treatment (in this case mostly fiberglass batting at specific locations), the nodes started to diminish.
At that point, even my very inexpensive Event near field monitors were very clear and easy to make mix decisions on.
It obviously makes sense to turn room correction on and off and check the difference over the range of seating being used in any given situation. Do no harm, etc.
The run-ins I've had with room correction, with my own cheap hi-fi gear, as well as the and higher end stuff my cool friends have, indicate that room correction can be very handy.
Even the room correction built into the 2018-model EUR 400 Yamaha amp I have at home does more good than harm, with the little Genelec sub and Polk satellites. That is, in a regular residential setting, where everything doesn't happen on the terms of audio reproduction, to put it politely towards other concerned parties.
Similarly, this cottage thing revolves around my synesthetic friend's family owning and keeping up the place in a multi-generational social dance of compromise, which this very stylish friend finds annoying and moderately embarrassing.
There's not exactly the tasteful minimalist decor my friend would prefer, but a type of deliberately shabby, cartoonishly frugal kitsch you'd typically find in Finnish summer homes, where people just want to feel freed of suburban respectability norms. More to the point, my friend's mom wouldn't take kindly to acoustic treatment interfering with her live-laugh-love game.
I on the other hand have done the political hand wringing required to have my living room seating arranged for audio in the small apartment I share with my SO. And the sub is placed behind my couch where there happens to be a sharp, little corner that nicely traps bass resonance elsewhere than the couch, so DSP makes smaller adjustments.
Likewise, my Yamaha amp's room correction saved me that hour-or-so of annoyance of flipping DIP switches back and forth on the bottom of the Genelec sub to manually listen for the correct phase setting, or whatever it's called.
One of my friends just goes to town with his synesthesia and usually keeps his eyes shut for a big part of the evening.
One of the most mind-blowing experiences I've had there with a well-known piece of music that many can relate to: the bass on the 2018 mix of The Beatles' 'While My Guitar Gently Weeps'. In a room with almost no resonance it's just so nice and warm.
Similarly, with the clean bass, you fall for these hidden gems, even among contemporary top 40 pop, like Dua Lipa's hit 'New Rules' from a couple of years back. Also, a fair chunk of pop sounds quite airy and nice compared to ten years ago.
My point is though that it's very self-selecting crowd we've attracted. Not even everyone who loves music enjoy sitting still and quiet for an evening, save for our quick remarks and giggles of pleasant surprise, for example when we describe how good some cheesy 80s pop tune actually sounds. There are no guilty pleasures if the production is good :D
Now with the Tool discography coming to streaming tomorrow(!!!) I suspect our next session is going to be quite the orgy.
I do this thing with a small group of friends, where we drive like 3-4 grands worth of speakers and room correction DSP (Genelec and DSpeaker) to a summer cottage every 6-8 weeks or so. The place, a big log cabin, happens to have wonderful acoustics.
And we just sit back, mostly STFU and listen to a selection of music for an entire evening, DJ:ed by me (I accept requests), and we eat good food. There's no background music, when we cook, eat or clean, because we want to rest our ears for the main sessions.
The next day, we drive back, I check everything we listened to from Last.fm, and I create a Spotify playlist of the event, which we all save.
Most people look at me like I’m insane when I describe this activity.