As someone who is pretty hyped up for the Kyra, this stuff is really just hype.

Hype, in the sense that it's anything more than a way to hit a higher level of performance at a smaller budget of dollars and/or watts. Which, is a fine goal. But you can have a gazillion more oscillators and way better resolution with a desktop-class processor. None of these new FPGA synths will sound better than Omnisphere - but they will sound way better than the previous generation of hardware synths.

There's kind of a backlash against laptops in music right now - ex: modular and the DAW-less trend - so tons of people want hardware, and plenty of them are yelling "FPGA! FPGA!" like it makes a qualitative difference. Seriously, people on synth message boards are like, "what would this sound like if we did it with FPGA?"

I admit that sometimes there is something intangibly great about using hardware versus a laptop - but it's mostly about the interface, not the sound engine.

> Seriously, people on synth message boards are like, "what would this sound like if we did it with FPGA?"

Ah, the blockchain of digital music.

Looking at the Novation Peak that’s just a bunch of marketing materials, from an engineering standpoint it’s utter garbage unless they know something everyone doesn’t.

Oversampling is a standard technique for modeling analogue synthesizers, but you don’t need to go crazy with it, you don’t need to run your DACs at 24 MHz to see the benefit (you can run them at 48 kHz just fine, Novation’s marketing materials mentioning that DACs “often” have alisaing issues is just weaseling—aliasing issues not hard to solve), and nothing about the specs tells me that they would be pushing the performance of existing DSPs.

So no, FPGA is absolutely not necessary. Audio, even high-end virtual analogue synthesizers, don’t require a lot of computational power. It doesn’t matter whether you have an oversampled DAC at 24 MHz or a regular old 48 kHz DAC, if you send them the same signals you won’t be able to tell them apart.

Keep in mind you can oversample in the digital domain.

Running the oscillators at a ridicilously high rate allows the use of non-bandlimited, trivial algorithms. Band-limiting is not a solved problem, all the algorithms get messy in different dynamic scenarios. As to why design a custom FPGA bitstream for this? It could actually be a reasonable fit if you actually make the waveform generators directly in the LUTs and latches and run the whole thing at 24MHz.

Can you give an example of one of these algorithms you’re talking about? I don’t understand why these would work at 512x but not at, say, 4x or 16x.

At 4x you would need something like poly-blep with 24/32-bit fixed or floating point support to generate a nice bandlimited sawtooth. Features like oscillator sync can still cause problems. I recall hearing at Clavia HQ that the original Nord Lead used 16x oversampling with a naive generator (subject to hearing it once and my memory over 15 years). Upping to 512x can be reasonable on a fpga, where you can aggressively minimize wordlength and match the DAC. Is there any advantage over say 32x? Maybe not, but feeding the DAC 1:1 can save some complexity.

Edit: So I envision the ultra high rate sawtooth as essentially a n.m bit fixed point accumulator wrapping around by itself, with the n-bit (4? 8?) top part going over to the DAC as a kind of directly generated DXD format signal.

So the only advantage is that you can feed the DAC 1:1?

FPGAs are difficult to program, that’s a pretty steep cost to save you the trouble of downsampling your signal, something which is already pretty damn easy to do.

16x oversampling is fine, DSPs are fine. DXD is snake oil.

Sure you can make an equally good synth without fpgas or dxd. I'm not trying to sell you this design. However it's educational to think about when and how it makes technical sense. I do agree that marketing turns it into brain damaged bullet points pretty often.

you've got to think outside the box. with fpga, we can get into new algs like variable-sized lattice gas synthesis.