Re:Analyzing the chords of 1300 popular songs for patterns
by elektronaut on Monday January 14, 2019 @11:18PM
(#18908823)
Phrygian is quite common in metal, along with phrygian dominant. Great scales for dissonance and tension.
Functional harmony kind of goes out the window once you stray from the major/minor modes anyway. You have to lean heavily on the root to maintain the tonality, or else the perceived key center tends to shift.
Re:Analyzing the chords of 1300 popular songs for patterns
by rumcajz on Tuesday January 15, 2019 @02:16AM
(#18909358)
Ah, I haven't been aware of usage of phrygian mode in metal music. Maybe that's what skews the ratio of Emaj/Emin towards the latter?
Re:Analyzing the chords of 1300 popular songs for patterns
by jeeceebees on Tuesday January 15, 2019 @02:50AM
(#18909450)
The author notes that the analysis is based on 1300 songs from the Billboard top 100 in the last 2 years.
I think it's safe to say the effect of metal songs using phrygian is negligible.
Re:Analyzing the chords of 1300 popular songs for patterns
by rumcajz on Saturday January 19, 2019 @04:02AM
(#18946095)
And the phrygian used in metal has modified major third (G# instead of G) which, again, results in E major, not E minor chord.
Re:Analyzing the chords of 1300 popular songs for patterns
by palimpsests on Tuesday January 15, 2019 @11:40AM
(#18912423)
The minor V is used a lot in reggae and modally based music
EDIT: Thinking about it, E minor is fairly common in phrygian scale (it's the tonic chord), however, phrygian, unlike dorian or myxolidian, which are used at least sometimes, is super rare -- its dominant chord, B dim, is dissonant, which kind of sucks.