Re:How Hillsong Church conquered the music industry
by moftz on Tuesday October 23, 2018 @10:58AM
(#18283902)
I knew someone that would play Catholic organ music for fun. She'd stream herself at the church she played at after hours. She wasn't Catholic or even Christian but she was good at it and got a gig playing it. She would play classical and her own compositions as well. She would also pull her boobs out and smoke meth on stream too. I think she ended up getting doxxed and kicked out of her parents house.
Re:How Hillsong Church conquered the music industry
by justtopost on Tuesday October 23, 2018 @11:05AM
(#18283958)
Whoever she is, she has an honorary spot in my punk band. Anyone got a link, or am I about to go down a weird internet hole?
Re:How Hillsong Church conquered the music industry
by peterburkimsher on Tuesday October 23, 2018 @12:13PM
(#18284655)
Punk with an organ? Link, please! I like the cultural crossovers that are made in all the sub-genres of rock (whether it's Christian rock, Mongolian throat singing metal, or Taiwanese post-punk). If it's got four chords, count me in.
Re:How Hillsong Church conquered the music industry
by dreix on Tuesday October 23, 2018 @02:50PM
(#18286274)
In Germany we have Albert Frey, a Catholic singer and songwriter. I didn't know for years that he was Catholic since he is a major source of worship songs in evangelical churches and beyond.
(A) Catholic (an example, for contrast) music tends to be institutional: choirs, organs... Formal. You don't just play the organ for fun, it's a scheduled, authorized activity. It's not something that spreads or something that exists outside of its preallocated box.
(B) Hillsong's kind of music is also accessible. You don't need much exposure to play or appreciate it. This isn't exotic tribal music, for and by some specific culture of people (think of Jewish kleizmer for example). It's pop, the stuff anyone can listen to or play.
Ie, you can tell from the music that Hillsong is new/modern, youth oriented, and mainstream-oriented and international/multicultural.
You can tell from catholic music that it's tradition and institution oriented. You can tell from Jewish music that it's tribally oriented. All ideological linchpins of those communities.