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Re:Exapunks by sshine on Sunday August 12, 2018 @11:42PM (#17747890)
He'd made the classic mistake, the one he'd sworn he'd never make. He stole from his employers. He kept something for himself and tried to move it through a fence in Amsterdam. He still wasn't sure how he'd been discovered, not that it mattered now. He'd expected to die, then, but they only smiled. If course he was welcome, they told him, welcome to the money. And he was going to need it. Because -- still smiling -- they were going to make sure he never worked again. They damaged his nervous system with a wartime Russian mycotoxin. Strapped to a bed in a Memphis hotel, his talent burning or micron by micron, he hallucinated for thirty hours. The damage was minute, subtle and utterly effective. For Case, who'd loved for the bodiless exultation of cyberspace, it was the Fall. In the bars he'd frequented as a cowboy hotshot, the elite stance involved a certain relaxed contempt for the flesh. The body was meat. Case fell into a prison of his own flesh.
Re:Exapunks by ethbro on Monday August 13, 2018 @12:47AM (#17748056)
Early Gibson vs late Gibson begs the question -- What's more punk? Unfocused but incandescent adolescent rage or technically executed vicious critique?
Re:Exapunks by vesak on Monday August 13, 2018 @03:43AM (#17748593)
That sounds like comparing Sex Pistols to Porcupine Tree.
Re:Exapunks by danellis on Monday August 13, 2018 @02:40AM (#17748402)
Only one of those sounds like punk...
Re:Exapunks by lmm on Monday August 13, 2018 @05:49AM (#17749032)
I don't remember much rage or viciousness in Gibson, early or late - my overwhelming impression is of cool capers and if anything a general optimism about the future.