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Re:Photography Composition by BeetleB on Friday August 10, 2018 @12:36AM (#17730708)
Wow - Thanks for actually making the effort.

A few quibbles:

1. The goal is to maintain the DOF distance. For 100mm at f/32, if you go to 50mm, you need f/8.

2. The assumption is that the lens is as sharp at 100mm as it is at 50mm (on some lenses this is a terrible assumption).

I tried a similar experiment comparing 25mm with 50mm (f/5.6 vs f/22). You can see the results at https://imgur.com/a/ik6qe5K

To me, they are almost identical - with 25mm seeming a tad bit sharper. In a way, though, you're right - the difference is so small that I might as well shoot at f/22.

Re:Photography Composition by CarVac on Friday August 10, 2018 @12:27PM (#17734735)
The goal is to maintain DOF and field of view; if you crop to the same field of view, and the entrance pupils are the same size, then you have the same DOF.

100mm at f/32 is the same as 50mm at f/8 only if you don't crop 50mm by 2x.

These are both excellent lenses, and at f/32 and f/16, optical quality basically ceases to matter.