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Re:How Musicians Make Money, Or Don’t, In 2018 by pnathan on Wednesday August 08, 2018 @03:11PM (#17718559)
> I certainly don't think current music is garbage. But I do think innovation has slowed.

I would agree quite strongly here. I make a point of grubbing through "new artists" and/or "new releases" on Amazon Music or Google Play Music.

"New Sounds" are simply extremely rare, or alternatively, inaccessible (by inaccessible I mean something like "I've Got No Chicken But I've Got Five Wooden Chairs" by Barton).

Of course, this is separate from my tastes - I'm searching for something that is an enjoyable new thing that tastes good and unlike my existing taste.

My personal guesstimate is that the wide availability of sounds has provided a too large landscape for newcomers to work through and then break out of, in general. It will almost take a naive art type to synthesize together a new sound that is both accessible and fresh - in my opinion.

Re:How Musicians Make Money, Or Don’t, In 2018 by codq on Wednesday August 08, 2018 @05:45PM (#17719783)
New, innovative music is out there, even in the indie mainstream.

Moses Sumney, for example, is incredible. Give this a whirl. https://www.youtube.com/watch?v=NPeji3NS4uE

Re:How Musicians Make Money, Or Don’t, In 2018 by pnathan on Wednesday August 08, 2018 @07:02PM (#17720384)
"extremely rare". :) not non-existent.

Mr. Sumney is, I'm sorry to say, not dramatically variant in the indie folk sonic system. I would say that it is a somewhat more electric orchestration of someone like Jesca Hoop; the sonic textures are similar. I don't care for falsetto - tastewise - I've run into a few other groups that are similar sonically over the past half decade besides Ms. Hoop.

It's plausible Mr. Sumney will evolve for a time and be substantially different - Doomed from that video presents the possibility unambiguously - but musically I would locate him in the indie-folk sound, with a different instrumentation and more electric usage.