What's more impressive is that several of them work quite well, and barring anachronism, at the sizes given in the samples you might not know what was added if they didn't point it out. The park bench I found particularly impressive, for instance. I suspect if we increased the resolution it would break down, but at this size it works pretty well.
In general, itβs definitely impressive how well they work.
It would be interesting to see them do a higher resolution version, or if they have them. It's possible it would indeed fit right in even so; now that I think about it the microscale of these paintings are probably very stereotypical and the algorithm might be able to reproduce them well. It would be especially interesting to see if it would correctly reproduce brush strokes, which have a lot of context to them. Given that "deep learning" can do things like reproduce the structure of a TV script accurately, it doesn't seem out of the question.
This is probably less a critique of your project and maybe more a celebration of cubism: The clock in the Picasso portrait is not "harmonized" in terms of cubist motifs at play in the composition. The contours appear merely dilapidated. Maybe this passes for someone with little concern for painting or art history but it was like a sort thumb for me. Maybe this is a good study reference on the gap between pattern recognition and human perception. Maybe not. I'd be interested in other thoughts.