By the way, as touched upon in Moorcock's article, Clarke would not have appreciated you calling his novel a novelization.
The worst part about the movie is Roy Scheider's fatherly internal monologue narration, which tediously explains-like-i'm-five for half the movie.
So maybe that gives us a hint, about what Clark's narration would have done to 2001.
That little sound bite also chimes in over and over again, sounding forced, poorly performed and with a corny distortion effect layered on top, in some presumptive attempt to resonate an idea with the audience. Maybe to remind you once more that the movie is supposed to be a sequel, despite an almost total discontinuity with 2001.
It draws a lot of parallels with Stephen King and The Shining, which had provoked Stephen King to exert more creative control over movie adaptations, often with laughable (or maybe unintentionally comedic) b-movie results.
I still enjoyed it though, and rewatch it occasionally.
Interestingly, this isn't actually said in 2001. It is in the novelization but its only said in the sequel 2010. It surprised me re-watching 2001 in the cinema a few years ago to not see it said, so I thought I might be watching a weird recut, but no. How the mind plays tricks.