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Re:The dawn of online piracy (2015) by jacquesm on Friday January 05, 2018 @09:49AM (#16078868)
All that caused is a big shift in income from record labels to venues and concert promoters, the artists did not end up any better off than they were before.
Re:The dawn of online piracy (2015) by yobrien on Friday January 05, 2018 @10:00AM (#16078945)
I've always heard (no proof) that artists make little off album and song sales but received a larger benefit from concerts/merch. -- If that's true, the shift to increased concert revenue benefits them.
Re:The dawn of online piracy (2015) by GFischer on Friday January 05, 2018 @01:59PM (#16080713)
There's almost as big a racket around venues and concert promoters as there was with RIAA and it's ilk (it's basically a Ticketmaster/LiveNation monopoly in the U.S.), but artists do get a larger cut (harder to scam them when they see the full stadium I guess).

I've seen quotes about 60% of gross for artists with the rest being split between the ticket processor, promoter, taxes, etc. That 60% has to cover the artists' costs (not the venue but roadies, sound engineers, lighting crew, catering, tour manager, backing singers, extra musicians, dancers and so on

https://www.theguardian.com/music/2017/jan/30/where-does-con...

http://www.wisebread.com/how-much-a-breakdown-of-concert-tic...