I'd rather have lunch with the mathematician. In fact, Feynman is at the top of the list of people I'd like to have lunch with, and it's not about his bongo drum playing.
(P.S. I learned to play the trumpet in my youth.)
It sounds like you know some pretty terrible artists, though. I mean, seashells on a model house?
PS. Feynman is Feynman for a reason.
And all art has a wide expanse between commercially available and popular, and the avant garde, and within that range is another range between simplicity and complexity.
Art also encompasses film, fiction, the visual arts, music. All of which have a massive range of intellectual importance and depth.
No offense, but I feel as though you're showing your ignorance much more than proving your point.
Of course they do. I'm merely challenging your claim "Great art is heavy on intellectual complexity." There's no doubt at all that "She Loves You" is a great song. Personally, I prefer the earlier Beatles tunes rather than Sgt Pepper. Perhaps you could quote from the latter some lyrics that have deep meaning to you?
I also greatly enjoy Led Zeppelin, have every album, even cover albums, but am under no illusions about the intellectual complexity of "squeeze my lemon".
Nobody celebrates Led Zeppelin for their lyricism, but I think you knew that already.
I was always baffled by what that was supposed to mean.
And they also work with people who don't take an intellectual approach to their production but rather follow intuition.
One thing is certain: it's a more heterogenous environment. I find that to be extremely stimulating.
Deciding to become an artist doesn't make one profound or conceptually interesting. Rather few artists achieve that. The starving artist community generally has not, which is why they are starving.
After all, how many TV shows you watch are "pretty intellectually profound"? And those artists are good enough to get paid for their work, most aren't.
Wouldn't agree on the 'wonderful' or 'unappealing' value judgments though; I think you added them for rhetorical emphasis.
Well, this fine article is partly about Richard Florida, and that's basically what he's saying: keep the creative class around, because they are the ones that add value to a city. Boring professionals flock to neighborhoods put on the map because creative people making them destinations.
In Denver, see the River North neighborhood. What once was a very vibrant place to see DIY shows, gallerys, etc, is now just a brewery neighborhood. Some underground venues were closed by the city and the one-year anniversary of this is coming up. The city shows no interest in providing an alternative. I guess this isn't very important to most, but these spaces were a safe place for many people to go: homeless teenagers, trans-folk, etc.
http://www.westword.com/music/rhinoceropolis-diy-venue-shut-...
There's only so much after-work talk I can tolerate about app servers. I want to go to the theater, watch plays, and see bands. The people who have those interests are not particularly enchanted by traditional professional careers.
So artists are wonderful, interesting people, and professionals are boring and unappealing? Wow.