I love this.
“GO.COM contained no program bytes at all – it was entirely empty. However, because GO.COM was empty, but still a valid program file as far as CP/M was concerned (it had a directory entry and file-name ending with .com), the CP/M loader, the part of the OS whose job it is to pull programs off disk and slap them into the TPA, would still load it!
So, how does this help? Well, using the scenario above:
• the user exited WordStar • the user ran DIR (or whatever else they needed) and at some future point would be ready to re-run Wordstar • the user now ‘loaded’ and ran GO.COM • the loader would load zero bytes of the GO.COM program off disk into the TPA – starting at address 0100h – and then jump to 0100h – to run the program it just loaded [GO.COM]! • result – it simply re-ran whatever was in the TPA when the user last exited to DOS – instantly [WordStar in this example]!
So, GO.COM, which consisted of zero bytes of code – and sold for £5 a copy is, I figure, the most profitable program ever written (as any other program will return mathematically fewer £s per byte than GO.COM did)!”
1. http://web.archive.org/web/20160304014157/http://peetm.com/b...
This is the best explanation of legal practice I have ever seen.
Gah, something something colored bits. http://ansuz.sooke.bc.ca/entry/23
I'm no lawyer, but the testimony of the IT guy (and associated reasoning/etc) seems like a totally different kind of evidence than a true and accurate copy of a file from an original medium. And having the IT guy testifying seems like way more of a pain than just making him find the file.
There needs to be a certain level of creative work to qualify for copyright, and an empty program that does nothing is rather unlikely to qualify.
The definite case on that subject must be John Cage's "4:33", which is 4 minutes and 33 seconds of silence. Its copyright has been upheld in court. Yes, the estate of John Cage sued somebody who "quoted" to much of his work of silence.
That sounds somewhat silly, yet it's well-reasoned: the infringing artist actually acknowledged Cage in the CD inset. And 4'33 isn't really only silence. Audio recordings feature the pianist sitting down, open and closing the piano cover, and the audience making various noises. It's somewhat "out there" obviously, but just the fact that it's rather well-known kind of shows that it did what it was supposed to do.
Other fun fact, in some UNIXes, true looked(looks?) like:
Yup, that's a shell script with only comments, all of which are a copyright notice for what is, essentially, an empty file. I saw that on Solaris something like 15 years ago. I'm sure it made its way to other flavors of UNIX.