I think that the key beginner mistake is gripping the neck like a baseball bat, rather than simply using the neck as a place to rest your thumb. The wonderful Toone/Strandberg trapezoid neck profile suggests that the conventional wisdom on neck profile might be utterly wrong.
I do strongly advocate short scale lengths - most women and teenagers should at the very least lean towards a Gibson-scale instrument and may be better off with something in the 22" to 24" range. IME a lot of female guitarists gravitate towards using a capo on the 3rd to 5th fret, partly because it brings the guitar into a more appropriate register to accompany the female voice but primarily because it gives them a shorter effective scale length.
A tradeoff I've noticed is "fast" versus comfortable. Fatter necks tend to be more comfortable to play, as are necks with more pronounced fretboard radius (like vintage-style Fender necks). Flatter, thinner necks are easier to play faster on, but make my hands sore after a while.
Excellent points by @beat. One other aspect for new guitarist is neck size: if you have small hands buying a guitar with a 'baseball bat' style rounded neck makes it very hard to play barre chords and difficult stretched chords. Conversely large hands and fingers need a longer fret board and deeper neck.