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Re:The Business of Too Much TV by sandworm101 on Saturday May 21, 2016 @11:18AM (#11744936)
The OP has the wrong perspective on profits. You have to look at the personal relationships behind the numbers. Actors are indeed getting paid much much more than in the past, but that doesn't make productions any less profitable. It's that those profits aren't going where the used to.

Hollywood acting talent has moved behind the camera. Those owning and producing content have far tighter personal relationships with those on camera. They are married. The are each other's kids. That's what happens after a couple generations in a business where workers age-out of on-screen work very quickly. The days of studios treating actors like commodities are over. If a production turns zero profits, but everyone walks away with a big paycheck, that's a good day for those involved. The wishes of the stockholders are way far away. (See Goodfellas, a "not profitable" production on paper.)

Remember that game "seven degrees of kevin Bacon"? It wasn't a joke. Every wonder why the same actors end up working together year after year? Throw directors, producers and studio execs into the mix and you diagram extended families, or at least groups of tight friends, moving through the industry.

Re:The Business of Too Much TV by walterbell on Saturday May 21, 2016 @12:14PM (#11745160)
> talent has moved behind the camera. Those owning and producing content have far tighter personal relationships with those on camera

Do they also have strong relationships with distribution? The article suggests that studios are losing distribution power to streaming networks who completely own content after production.

> you diagram extended families, or at least groups of tight friends, moving through the industry

In these network diagrams, do clusters of family/friends bypass agents during negotiations?

Re:The Business of Too Much TV by sandworm101 on Saturday May 21, 2016 @01:02PM (#11745319)
I don't think it extends to distribution. That's a corporate thing for publicly-traded companies. The personal relationships I describe are local. The people on the set or in the meetings all know each other and work for each other. Distribution is handled by thousands of people spread around the world who never meet the people in production. Streaming is just another form of distribution. I doesn't touch the personal relationships that underpin production.

As for agents, sometimes they are just a tax dodge. The ultra-rich are always worried about moving money between generations without taxation. Calling your kid, your nephew, your agent allows you to move a chunk of money to the next gen without worry of estate taxes. It's part of estate planning. A similar tactic works with jobs such as personal assistants, trainers or "producers" whereby a slightly lesser rate is paid to a celeb in exchange for a child being hired on. That money comes into the 'family' at a lower tax rate and avoids estate tax.

Re:The Business of Too Much TV by quxbar on Saturday May 21, 2016 @03:41PM (#11745879)
Six degrees of kevin bacon is also just a great demonstration of how even a moderately dense network has very few edges between almost any two nodes. It's one of my favorite beginner programming challenges.
Re:The Business of Too Much TV by sandworm101 on Saturday May 21, 2016 @04:05PM (#11745970)
If you really want to get into network forensics, at least the people networks at FBI-types deal with, crawl IMDB and look for groups that never or rarely work together. In a TopGear interview Matt Damon (Borne franchise) was asked whether he ever talked to Tom Cruise (Mission Impossible franchise). His answer: "we go to different churches." He didn't mean standard religion. There are some groups who actively avoid each other. But look for links between the recent Batman and Mission Impossible franchises and you;ll see what I mean.