Nope, you're just being a snob. Plenty of "outsider pop stars" (and their songwriters and producers) know music theory just fine and many even went to Berklee/Juilliard/whatever conservatory you're thinking of.

I guess.

I'm actually saying pretty clearly that it doesn't take deep theory knowledge to write great music, which I think counter's the parent poster's point pretty well. And there's a big gap in the amount of theory required to build your career on playing 12 bar blues and on composing for an orchestra. Most conservatory students aren't rigorously studying composition enough to do the latter anyway. In fact, most just want to eke out a living on dull music that hasn't changed in 400 years.

Berklee is not a conservatory. People actually get practical skills there and aren't treated like shit. Nothing wrong with going there. You are much better off doing that vs New England Conservatory, Julliard, Peabody, etc. (Actually the jury may be out after the Boston Conservatory merger, but we'll wait a few years and see)

Wait, he's the snob for suggesting that you don't need to have gone to a prestigious music school to be a well accomplished or well known musician?

Are you illiterate? He's sniffing at pop stars who haven't gone to the right conservatories.

You've got it flipped. I'm saying that having a deep knowledge of theory isn't what enables you to make great music. I am also saying that most working musicians' knowledge is extremely limited and that absolutely makes their work outsider art. That's not saying that anyone should go to conservatory (anything but - if you want music ruined for you by all means go), but yes probably every musician _writing music_ should improve the knowledge of their craft.

I used to work in the music industry. I think your beliefs about writers' knowledge of music theory are way off.

That's cool, don't really need your validation.