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On a purely musical level, there are already some artists that I really enjoy, who I suspect use algorithmic composition heavily in their music. I was wondering about this one the other day, since it's sort of similar to algorithmically mashed-up sample pieces that I've made (but better):
Legalize it, tax it, and use the proceeds of the taxation for needle exchanges and rehab clinics.
And Gitmo was just an example, not necessarily saying it would even be at the top of my list. Of course sending the detainees to other prisons is not the answer. These people need to be freed, now. Same deal with the multitude of other US military prisons and CIA black sites.
Get on TV every single night, spread awareness about what's happening there, tell US citizens that we need to lead by example, and use the propaganda machine to create positive change, for once.
I realize it would be tricky to implement, but considering the societal benefit of more even wealth distribution the idea itself is worth exploring.
I actually prefer it slightly unripe, since it can quickly become exceedingly gooey and sweet.
Source: frequent eater of Cambodian jackfruit :)
https://www.taxamo.com/braintree-announce-partnership-taxamo...
I am definitely not interested in hand-coding a solution.
Ah so now Ahmed will get to see the worst of the worst on a different end of the spectrum.
Bernie Madoff? Different guy.
I'm a sprinter, so I do take a quantitative approach to running.
I also lift weights, and I would say that I do so seriously. But my weights are my own body and big rice sacks filled with water bottles that I heave around in various ways until I'm tired. I'm an experienced enough athlete to know when I'm hitting my limits, without following any specific metric.
I agree that the same discipline applies to engineering, coding, etc. but the end result, creating beautiful music, is a unique feeling for me. It just seems more magical somehow. Good luck on your musical journey!
Piazzolla did compose some guitar material, his "Tango Suite" for two guitars written specifically for Sergio and Odair Assad. The second movement is my favorite:
https://www.youtube.com/watch?v=TNDlnNnxfhw
Carlo Domeniconi's "Koyunbaba" is another guitar piece I've always really liked, performed here by the not-Star-Wars John Williams:
https://www.youtube.com/watch?v=TNDlnNnxfhw
And of course other greats like Villa-Lobos, Tarrega, Granados, Albéniz, etc.
I do realize the singular devotion and training that is required to reach the highest levels of classical guitar playing. It's astounding! My dad took master classes from Eliot Fisk (whose playing I don't really like that much) and got the opportunity to play in front of Julian Bream a few times (whose playing I DO love).
Thanks for that nice performance of Lute Suite #4. It was my mom who instilled in me an early love of Bach. If you've never heard Angela Hewitt or Alicia de Larrocha playing Bach, then I'd highly recommend checking them out!
And damn, your teacher is a ferocious guitar player. Both pieces are great!
Can we turn the discussion around? I'm legitimately curious about what music you like. My dad tried to make it professionally as a classical guitarist (a long time ago), so we may have more in common than you think in terms of musical taste.
Here's an example of music I really like that can't be adequately described by classical notation. Jan Jelinek's "Do Dekor"...
https://www.youtube.com/watch?v=PkpaDpwdSUI
Jelinek's music is actually fairly tonal but has static-y, noisy textures with arhythmic clicks and pops. I think you might like it.
That though is actually fairly traditional compared to some of the noise music and harsh metal that I enjoy. Here's another example, some blistering avant-garde instrumental death metal:
EDIT: Let's hear some music you've created, with all your vast ability and knowledge. I'll post some of my own and we can let HN users be the judge...
You're excluding tons of music outside of 12 tone temperament, not to mention plenty of electronic, jazz, and experimental music.
And you're idea of Mandarin being more complex than English, French, German, etc... I would challenge you to find a single linguist who agrees with that. I for one do not.
Though you may already know, aligning notes to exact subdivisions of the beat is called quantization.
https://en.wikipedia.org/wiki/Quantization_%28music%29
Quantized music feels noticeably less organic and lively, to me at least. Audio sequencers like Linux's Hydrogen give you the capability to mess with "lead" and "lag", but it must be done individually for each note and so is fairly tedious.
I've used the Python module pydub along with a random number generator to set samples slightly ajar, but, while it helps, a purely random approach doesn't capture how human performers implement lead and lag.
I absolutely recommend pydub as an easy way to manipulate sound files.
I've had some really good results with sample-based algorithmic composition, so I'm really looking forward to this:
"In the near future, Alda’s scope will be expanded to include sounds synthesized from basic waveforms, samples loaded from sound files, and perhaps other forms of synthesis."