pythko

I think you and the parent comment are talking about different scales. A large SaaS company deal could be $300k per month per customer, and the sales process for a company like that can involve changing the software to meet the needs of the customer. A very early lesson is that what the customer says they need is not always the same as what they actually need.

One of the many reasons calls happen is that customers say "I need XYZ feature in order to do this deal," and the salesperson then needs to ask why they need XYZ feature, and what they want to accomplish, and maybe existing ABC feature actually meets their need, or maybe the company needs to develop XYZ feature to secure the contract. Once you get into a complex domain, that is not happening over email.

The article contains good advice to many businesses out there, but it's worth considering the situations where it doesn't apply, too.

I really like this idea, and would love to subscribe when you’re ready!

I think many commenters have pointed out reasons why this model is not suited to widespread user adoption, but I just want to say that may not be a bad thing. Meme content moderation is not a big problem if your users are not the type to submit or upvote a lot of low effort memes in the first place. A paywall will inherently limit your user growth, but if the users you get end up being people who are happy to create and support high quality content, that seems pretty ideal to me (unless you are looking for maximal growth, VC level returns, and/or an IPO).

If there’s a mailing list or other way to get notified when you’re ready to do a full launch, I’d love to sign up for that!

I agree; I’ve had multiple instances recently of booking through a third party where getting changes or refunds is very slow and clunky, if they will even do it at all. Contrast that to my experience with booking a hotel directly through their website, where I mistakenly booked the wrong dates. One phone call to the hotel and 2 minutes later they changed it with no hassle.

It’s free to end consumer, but these schemes make money by charging a percentage to merchants. And those merchants will compensate by bumping up their prices a little to cover the transaction costs.

In the best case, these are pointless services that only transfer money to the finance industry. In the worst case, they incentivize people to spend money on things they can’t afford (and also transfer money to the finance industry).

I found this video to be a good explainer: https://m.youtube.com/watch?v=R1JaMRpcDrQ&pp=ygUbQnV5IG5vIHB...

It seems like many of them act like credit cards and charge the merchant a percentage, since they “drive consumption” and encourage people to buy stuff. Of course, this fee will likely be added into the price that all consumers pay, so as these get bigger, we all will be subsidizing interest free loans to people in the form of 1%-3% higher prices. Much like credit cards are today.

You seem to be the lucky lightning rod comment on this!

I guess it's fitting that the tech world gets particularly up in arms about this; we're certainly a group who enjoys demanding standardization while refusing to change our own practices.

(But also, if you're not using ISO 8601 in a code context, what are you doing?)

I've settled on the explanation that this is just a cultural difference, and anyone arguing from a place of "logic" or "correctness" is refusing to accept that it's all convention, and different people do things differently.

As an analogy, some languages put the verb at the end of the sentence (e.g. Latin, certain German grammatical structures). As an English speaker, this is weird because I don't really know what's going on until the sentence is done, and it feels like I'm putting together a little puzzle in my head. Whereas to a fluent speaker, it presumably just makes sense and you don't really find it difficult. Same thing with dates.

As an American, I like our convention for writing dates. I usually care about month first. Immediately upon seeing a date, I know the rough time frame. Is it this month? Next month? Around Christmas? Around my birthday? Then the day pins it down to something specific. I will assume a date is referring to the current year, unless I see a different year, in which case it's a quick update to my mental model. April 12 flows as "soon, and exactly 18 days away" and September 12 flows "far away, and the middle part of the month".

I get that computers are a different use case, and there I'm a ISO 8601 advocate.

And the 1975!

https://m.youtube.com/watch?v=0E_uK01odHg

Based on the context of the title, I had just assumed petrichor was the name of an artist or something. Glad to know the real definition!

Executive summaries are part of the industry, where people boil down non-fiction books into short pieces of text. E.g. Blinkist (not affiliated, just the first result on Google)

It is somewhat funny that presumably a good amount of work goes into padding the book, and then work goes in on the other side to strip the padding away.

In a hospital setting, nurses and doctors round regularly. No one is talking about using AI as a replacement for that, because no one has anything approaching that much trust in predictive models.

Predictive models are most often used as either an alerting mechanism or an additional data point on a dashboard. You need to careful of alert fatigue, where too many false positives cause humans to disregard all alerts from the model. And if you don’t get people ignoring alerts, you can waste a lot of people’s time and energy by having constantly having them run to check on someone who is actually fine.

I think what you described falls under #2 in my reply. “Doing it well” is not a trivial option that people are ignoring; “doing it well” is the thing people are trying to solve. AI is not a magic bullet that always makes everything better.

I can tell you that the current focuses of AI implementations are around real, impactful issues: sepsis risk, readmission risk, deterioration index, etc.

The problems with AI in healthcare are:

1) People don’t want it to be a black box - that means quantifying the factors that go into a recommendation

2) Operationalizing AI recommendations is hard. AI tends to give gradiated information on binary decisions (e.g. there’s a 68% chance this patient is septic. Should someone go check on them? What if they were 49%?). The challenge becomes deciding how that information should be shown to people and what the acceptable false positive and false negative rate are.

3) The same problems of AI everywhere. Things like garbage in garbage out, unrealistic user expectations, feeling like it basically tells you what you already know, the challenge of getting insight from a pile of data.

They are finally reaching the point of rolling out their new clients that get off Visual Basic, so that’s something.

M, however, ends up being a combined database/business logic platform (and it’s fairly speedy at that, if that’s what you want). Extracting data into a nice tidy relational database does take time and development effort, though, but they have a reasonably robust process for this already.

This article seems to be a relatively mundane announcement of another platform that you can run Epic analytics on, but I don’t see anything particularly groundbreaking about it (you could do this with Azure already). The hard part is making a model that is useful and operationalizing it in a way that actually has a positive impact.

I don’t think Epic’s install costs are secret or a “gotcha”. Any administrator interested in Epic can look at 20 years of installs and see that an Epic implementation is routinely a multi year, $100 million+ project for large organizations.

I’m also not sure what these “Epic Engineers” you’re referring to are, but I know that IT staffing is a conversation that happens early on in the sales process and it is not a surprise to anyone who’s looked around at existing Epic sites.

Whatever Epic’s flaws may be, I don’t think “public boondoggle” is a fair portrayal of how they do business.

Some college guys I know rode 200 miles around essentially a big roundabout (the loop length was probably less than 300 meters) at 20mph. When asked why they did it, they basically just shrugged and said they thought it would be a cool challenge. And I guess it was.

I wish the author the best on their reading journey! I feel like this article shares a valuable experience, and I would encourage anyone who's on the fence or who views literature as a waste of time to give it an earnest try.

Jumping straight into the classics can be hard due to the differences in language, cultural assumptions, and even just the fact that some of them are over-hyped, and it's tough to enjoy a book on its own terms when it's presented as "one of the best books ever."

Find some recommendations on the internet, go to the library, and check out a couple. If they don't strike your fancy, don't worry about it, and move on to the next recommendation until you find something you connect with and you want to keep reading.

I'd recommend Stories of Your Life and Others by Ted Chiang [0]. It's often billed as "speculative fiction", and I'd describe it as a series of short stories that define worlds slightly-to-extremely dissimilar to ours, and explores what that means to the people who live in them. I recall the stories being fun because there's some amount of guessing what will come next in the worldbuilding, and imagining what makes sense within the rules he's establishing, but he also drenches the stories in humanity, and many of them are quite emotional.

If you're trying to get him to read a classic specifically, maybe it would help to start with some non-fiction pieces. David Foster Wallace has an essay on what makes Dostoevsky great and worth reading [1]. And there are plenty of other essays and books out there on "why read the classics." If you think presenting your case through the lens of scientific rigor would be helpful, there are numerous studies showing that reading fiction increases empathy with others [2] (and if that's not appealing to him, you're probably in for a very long and uphill battle). For a classic recommendation, I think that similar to the article, Crime and Punishment is a good choice. It's pretty approachable language-wise, it's not crazy long, and it hits all those points of universal themes, some humor, and a deep empathy from the author to his main character.

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[0] https://www.goodreads.com/book/show/223380.Stories_of_Your_L...

[1] https://www.villagevoice.com/2019/07/04/feodors-guide-joseph...

[2] https://www.discovermagazine.com/mind/how-reading-fiction-in...

I think the parent's comment was saying to find reviewers whose tastes align with your own, then trust their reviews for new content. This requires 1) that the media they publish through prints the name of the author; 2) when you read a review, you pay attention to who is writing it; and 3) a period of time to establish a relationship with a reviewer and build a sense of how much your tastes align.

I find the easiest way to do that is to generally read reviews, and when you go see the thing/buy the thing that got reviewed, think back to which reviewers closest aligned to your reaction, then read more of them, and eventually you'll find a small group of reviewers who you trust.

I admit that I haven't found "my" TV reviewer yet, since it seems the world of TV critics is afraid to offer any significant criticism of the shows they're reviewing. I'm not sure if that's an industry thing or if I've just been looking in the wrong places.

He’s said that he thinks his method of typing works fine and doesn’t lead to repetitive stress injuries, so he prefers it. I don’t remember which specific videos he said that in off the top of my head, though.

Econtalk had a recent episode [0] that discusses this problem and the limitations when applied to real life. There's also a transcript [1] for those who prefer reading.

I found the discussion (and the entire episode) to be a nice reflection on how applying rules/logic/algorithms to big, deeply human problems doesn't always work. While the secretary problem is a fascinating and unintuitive mathematical result, as many other commenters have pointed out, it just doesn't have that many strict uses in people's real lives, outside of the general idea of "try a few of X to get the idea of the field, then pick one".

[0] https://www.econtalk.org/russ-roberts-and-mike-munger-on-wil...

[1] https://www.econtalk.org/russ-roberts-and-mike-munger-on-wil...

I don’t really understand that idea of complexity, but Rick Beato is addressing this song from a music theory perspective, and I think this song would meet anyone’s definition of complex when it comes to theory.

I don’t think that’s the obvious takeaway. The specific chord voicings are complicated, sure, but the complexity he’s talking about are the key changes and unexpected tonal choices. You can’t remove those without fundamentally changing the feeling of the song.

When I was learning the guitar, I frequently would skip passing chords and simplify voicings I didn’t know how to play. As a result, my covers were pretty boring and lacking the impact of the originals. That’s fine for beginners, but a pro musician is going to take pride in either faithfully recreating a cover or intentionally putting their own stylistic spin on it, not just skipping over stuff that’s hard.

I’m curious for more details on what your templating system was and how it worked. If you’re up for sharing, I’d love to hear about it.

I know the aforementioned EMR puts a lot of emphasis on their After Visit Summaries, which sounds somewhat similar to what you describe.

The 12-TET certainly has some neat mathematical properties, but my point is that it’s not the only way to decide what “notes” are. It’s an interesting debate on whether there’s something fundamental to this particular approach that sounds good to the human ear, but I think it’s clear that there’s a hefty cultural component.

It’s also worth noting that modern 12-TET is not the series of whole number ratios that someone might expect from basing it off a harmonic series [1]. It’s an approximation based off a logarithmic scale. 12 Tone Just (or “Pure”) Intonation sounds pretty weird, and in my opinion, bad. If people had been making music with 12 Tone Just Intonation for the last millennium, maybe it would sound good to me!

https://en.wikipedia.org/wiki/12_equal_temperament#Just_inte...

It is artificial, in the sense that the western twelve tone scale is essentially arbitrary (why not 6? why not 16?), and it is a constraint in the sense that what most people consider “in tune” is defined by what they’ve gotten used to hearing. Culturally, in western music, that is twelve notes to an octave.

People from all cultures can and do use notes from outside those twelve tones in music. In western music, sometimes you’ll notice (check out King Gizzard and the Lizard Wizard[1]), and sometimes you probably won’t (that “raspiness” in blues music is usually because they’re singing/playing a note slightly “out of tune” aka “microtonally”).

Music and “what sounds good” is a cultural construct, and I’d encourage you to check out music from around the world as well experimental microtonal artists if you’re interested in hearing what happens when you aren’t tied to the idea of twelve notes in an octave.

[1] https://m.youtube.com/watch?v=U72rbtrufws

Traditional western music assigns 12 notes to an octave using a tuning known as Twelve Tone Equal Temperament[1]. These twelve tones include whole tones and semitones. The vast majority of western music is composed exclusively using these twelve notes.

I believe the GGP meant to refer to “microtones,” which are frequencies that don’t fall into the Twelve Tone Equal Temperament tuning system. These are commonly used in non-western music (Indian music is a typical example), and occasionally in some western music styles (blues, some jazz, some sub-genres of rock, maybe), but you’re not going to find microtones in most western music.

The use of microtones would greatly expand the set of possible melodies, but those melodies would also sound very weird to someone who has grown up listening to western music. Also, these legal cases are not decided by precisely comparing the relative frequencies of notes in two different melodies.

Relating all this to the article, I personally feel like music is not a good parallel for the topic of academic plagiarism since the idea is the whole point of academic papers, whereas the point of music is harder to pin down, but it’s certainly not only to expand the set of melodies and chords used in songs.

Anyways, for more on music theory, I’d suggest Adam Neely’s YouTube channel [2].

[1] https://en.m.wikipedia.org/wiki/12_equal_temperament

[2] such as this video: https://m.youtube.com/watch?v=ghUs-84NAAU

Seconding your experience, except my battery life has been quite good somehow. I’m not sure if that’s due to one of the settings I changed when setting it up, OS (I’m using Pop!_OS), or just luck of the draw.

My touchpad will also just stop clicking sometimes. It’s usually an exercise of finding the right spot to push to reset the hardware clicker itself. I have the fix that Framework sent out about a loose touchpad cable, so it shouldn’t be that. It also occasionally will just stop registering the mouse at all, either from the touchpad or from an external mouse. Closing the lid and reopening it will fix this.

Fractional scaling was a little dicey, but I found 150% hits the sweet spot for me, I don’t have any issues aside from some occasional jagged screen regions while scrolling, which I don’t mind.

Overall, I’ve been happy with mine. It’s not perfect, and it occasionally hiccups in weird ways (like the mouse thing), but that was my expectation going in. As a daily driver and dev machine, it works well and I would recommend the DIY edition to anyone with a little tolerance for issues in their laptop.

Much of the conversation so far in the comments has ignored the context of that sentence in the article:

> He called out my mistakes using words like “crazy,” “nuts,” “ridiculous,” and “stupid.”

> The harsh words stung at first, and caused me to question whether I belonged in theoretical physics. But I couldn’t help noticing that Dick did not seem to take the critical comments as seriously as I did. In the next breath, he would always be encouraging me to try a different approach and inviting me to return when I made progress.

If you have many repeated interactions with the same people where you make it clear you don't think they personally are stupid, and also you are almost never wrong when you call something crazy/nuts/ridiculous/stupid, perhaps you can get away with it. If one of those things is not true, it is not a good way of communicating (in North America, at least).

In the article, the author says "The harsh words stung at first, and caused me to question whether I belonged in theoretical physics."

What prevented the author taking this to heart? "In the next breath, he would always be encouraging me to try a different approach and inviting me to return when I made progress."

The appropriate takeaway is that when you call someone's ideas stupid, that does make them feel stupid unless you counteract it with positive feedback in the same conversation.

> or rather, I don't know how they continue to find enough reward in the activity to make up for the deprivation, repetition.

I totally feel you on this. I’ve done a reasonable amount of backpacking, and more and more, I’m not sure if I like backpacking or like looking back and saying I’ve done it. I certainly feel a sense of accomplishment from the treks I’ve done, but in the moment, it often just feels like drudgery, shading into misery when the days get long and the trail gets hard.

The exception is when the natural beauty of the surrounding area is high enough, the whole experience is totally worthwhile. The American west (Tetons, Sierra Nevada) still does it for me, but the AT definitely does not.