ambler0
This is something I think we can all agree upon.
There's no need to denigrate people who may feel triggered or are offended, though. Reddit just needs to decide what's most important to them. If they want to give a platform to anyone, regardless of how vile their speech, that's totally fine! But, they should not also expect widespread adoption of their site. Most people are not vile and will be happy to move along to less hateful pastures.
"The first approach is from the 2nd circuit "The Subtractive Approach" (Altai, Nichols) and the other approach is "The Concept and Feel Approach" (Ruth Greeting Cards, Krofft)"
http://www.newmediarights.org/guide/legal/Video_Games_law_Co...?
I am curious to know what would happen if someone decided to clone the exact level design of a game but changed all the audio/visual assets.
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Why not recruit older controls?
Regarding GMOs, what is interesting is not the fact that an organism was geneticially modified in a lab. What one wants to know is why it was modified. You can bet that your Roundup Ready crop is going to be slathered in ...Roundup. It's up to you to decide whether or not that's a big deal. The point is that this isn't superstition, it's basic fact-finding about the food we eat.
I never claimed that organic produce is more nutritous than non-organic produce. I did suggest that it's a reasonable working hypothesis that it is safer because of lower pesticide levels.
If anything on your list deserves your derisive attitude, it's the gluten-free craze. I have very little interest in that one; it strikes me as another diet fad and the testimonials are reiminiscent of other bogus complaints, e.g. re MSG. Which is too bad, since celiac disease is real and these patients are now being taken less seriously.
"the amount of money" Spending 10 cents more per pound for the organic fair-trade bananas so I can practice the precautionary principle and possibly help improve the lot of the serfs that pick them seems OK to me.
"You would think it cured cancer" Well, it is one of the things people are hoping to prevent...
Of course, none of this touches on the other reasons one might be picky about how their food is sourced, namely environmental and labor concerns.
What frustrates me so much about your post is that you see people doing things for stupid reasons and conclude from this that there aren't good reasons for doing these things. There are plenty of smart, dare I say skeptical (seems to be one of the fetishes on HN), people thinking about these issues who don't share your perspective.
The fact that you lump this in with gluten-free and anti-GMO, which are themselves interesting and unique topics of discussion that have in common only their faddishness, and then lump all three of these in with a charlatan like Dr. Oz, shows to me that you have an oversimplified view of these issues.
I would say that the V7 gets it's power from the flatted fifth interval, aka the tritone, aka the most dissonant interval this side of a minor second. And like you say, it can be understood in terms of voice leading, e.g.the 7th (the "leading tone"!) "wants" to resolve up to the tonic.
It's interesting that you mentioned motif because I think that fits well with what I was saying about the length of the pieces. Seems to me that one isn't going to have much room to develop motifs unless writing in an extended form. But for me personally, this doesn't seem like a good requirement for a piece to be satisfying in the way that I think we are talking about. If you are seeking that kind of intricacy from modern music, have you checked out Bela Fleck & the Flecktones? Also, have you explored Zappa at all?
1. Studying the history of Western music theory doesn't give you insight into any music, as you claim. It gives you insight into Western music. Check out music from another part of the world with a completely different notion of tuning, different scales, etc, and your music theory background isn't going to help very much. The only thing that is truly universal is the overtone series, because that's based on physics.
2. I think we could come up with plenty of structurally complex music from recent idioms, particularly jazz and jazz-influenced music. I would say that a bigger difference between something like, I dunno, Steely Dan, and Beethoven's Fifth, is length. Popular musicians don't seem to attempt such longer pieces. But for me personally, longer != more powerful. For that matter, more complex != more powerful, but I happen to share your desire for what we're calling "compositional depth", whatever that may be...
For one thing, a lot of what one learns studying Common Practice music theory most definitely is applicable to modern styles. Things like dominant function, for example, aren't going anywhere.
That said, I agree with the point that is implied by your post, namely, that "music theory" as the term is usually used is actually a description of a specific period of music (Common Practice) and it is a mistake to view modern popular music as some kind of degenerate case of it. I suggest that people who are interested in learning a theory that applies to more recent music take a look at "What to Listen For in Rock" by theorist Ken Stephenson. http://yalepress.yale.edu/book.asp?isbn=9780300092394
I also don't think the link you sent is going to make things much clearer for a beginner. I think that Desi Serna's guitar theory lessons in podcast form actually do a great job of explaining the basics, even if the guitar isn't one's primary instrument. https://itunes.apple.com/us/podcast/guitar-music-theory-less...
I'm very curious about what you say about statistical work. What would such an analysis look like? I don't have a strong background in statistics and I'm confused about how the inference would work.
Did you read it?